Amitabh Bhattacharya’s funky lyrics and Richa Sharma’s fantastic vocals overshadow almost everything in Lazy Lad, even as Amit uses now-familiar tropes to decent effect. Allah meherbaan is Divya Kumar’s punchy show, but Amit blends a qawali sound over the mock-techno sound to deliver a super catchy fun song! Jholu Ram is the soundtrack’s weakest point with a completely outdated and pedestrian tune and Altaf Raja’s pointless vocals. The title song is largely middling, from a sound point of view – that predictable; but Amitabh makes a difference, as usual with his hilarious wordplay. 2 of 4 is hardly Amit’s standard!

Keywords: Amit Trivedi, Ghanchakkar

Friday May 24, 2013

Good reads – May 24, 2013

Thursday May 23, 2013

Good reads – May 23, 2013


“Amazon took a big step toward today by announcing it had made licensing agreements with three fanfic-popular properties — Gossip Girl, Pretty Little Liars, and Vampire Diaries — that will allow fics for those properties to be published for the Kindle, with revenue split between the author and the rightsholder. More deals are on the way.”


“The composer isn’t as important today, if you understand what music will work. In Aashiqui 2, we have two three different composers… we will do the same thing with many of our films now.” For the record, I hate this stand.


“In an extraordinary moment of serendipity, Mithun Chakraborty—1980s’ disco king, forgotten failure, Elvis-impersonator, pop comet, poor man’s Amitabh Bachchan, auto-rickshaw driver’s hero, thrice National award-winner, successful hotelier, super-spy Gunmaster G-9, object of urban ridicule, pelvic thrust expert, exceptional character actor and a star with mass appeal—is experiencing a sort of rebirth, thanks to filmmakers and writers from small town India who were raised on the ‘Mithunda brand of B-movies.’ ”


“Continuing the musical legacy of their parents, progeny of Hariharan, Shankar Mahadevan, Loy Mendonsa, Kavita Krishnamurthy — L Subramaniam and Lesle Lewis are coming together on one platform for a musical project conceptualised by Lewis.

The project will be an electronic dance music (EDM) album, featuring collaborative tracks of Akshay and Karan Hariharan, Siddharth and Shivam Mahadevan, Shane and Alyssa Mendonsa, Divya Lewis and Bindu and Ambi Subramaniam along with Lewis.”

Tuesday May 21, 2013

Good reads – May 21, 2013


“All my films have turned out well only because of the director’s brilliance, not because of me” + “I would like to break the experimental mode and get back to regular cinema” – OUCH!

Kallaale senju vacha evokes pleasant memories of Yejaman’s Oru naalum, but that could be because of the Sindhu Bhairavi base. The song is incredibly tuneful, with Hari Charan doing a phenomenal job in the vocals, which comes out really well given its soft, unintrusive backgrounds. For the song’s female version, Priyadarshini seems to be trying too hard, resulting in a significantly watered down version. Ungappan pera solli brings back recollections of dozens of Raja songs using Keeravani as the base. The man’s withered voice shows strains of age, but his orchestration – particularly the rhythm – keeps the song in good stead, besides Gangai Amaran’s playful lyrics. The question after Kaalayile maalai vandhadhu is definitely, ‘Who is this Saptha Barnar?’ – she sings oh-so-beautifully! The tune is another trip down 80s Raja – sounding a lot like a wonderfully spruced-up Megam karukkudhu (from Aanandha Raagam – possibly because of Abheri). Nandri solla vendum seems like a feathery reimagining of Raja-style Hamsadhwani and the man has rare gone wrong with this raaga anyway. The charm in the song is in the unusual rhythm too, that blends well with the raaga. The spark in R.Sundarrajan-Ilayaraja combo is intact, after all these years!

Keywords: Chithirayil Nilachoru, Ilayaraja, #200, 200

Note: Kaalayile maalai is by Saptaparna Chakraborty!

Aruvaakkaaraa is enchanting! Padmalatha rules over the mesmerizing melody, ably supported by Kaushiki Chakrabarty, Vairamuthu’s charming lyrics and Bonnie Chakraborty’s sudden Bengali infusion! Gold Devaraj and Samar Kalaikkuzhu are in superb form in the punchy Kaathu kaathu! Incredibly catchy tune, with really imaginative percussion. Sundar Narayana Rao gets the best written song of the soundtrack (lyrics: Yegathasi) in Aatha un selai, a deeply impacting tune, with superb backgrounds by Sofia Symphony Orchestra. Its instrumental version by Flute Nathan is terrific too. Gold Devaraj’s folk’ish Thaattiyare thaattiyare makes authentic use of urumi melam with rustic charm. Hat-trick of sorts by Ghibran!

Keywords: Kutti Puli, Ghibran

Monday May 20, 2013

Good reads – May 20, 2013


“Remember that Jodorowsky’s “Dune” would presumably have come out before “Star Wars”; when we look at the designs for this unproduced film, we see the birth of a design aesthetic that has shaped both pop culture and the physical world for the last four decades. Oh, and if you’re wondering about David Lynch’s 1984 film of “Dune,” yes, Jodorowsky went to see it, with great trepidation. He was delighted it was awful; not the most noble reaction, he admits, but human.”


“The album makes your jaw drop. If you’re a Daft Punk fan, it’s best not to consider this a continuation of their EDM legacy, but of their legacy of ballsy experimentation.”


“To submit this review from the same room in my Lucknow home in which I used to hear it (inspite of the various music releases that included albums like Bombay, DDLJ, Rangeela, Barsaat and many more), is a high for me.

The album has stayed with me for 18 years and it continues to sound wonderful. To me, that means a lot and if you trust my word, do try the album out. It is available on iTunes for less than 100 Rupees. ”

Composer Harikrishna and Yogaraj Bhat seem to be having a great time crooning Budu buduke… a simple, street-smart song. Soundharya samara starts off with an uncredited lady’s classical Panthuvarali singing and continues in semi-classical format, with Sonu Nigam acing the rendition – it moves off Panthuvarali only later, very oddly. Shachina Heggar’s breezy Hedarabyadre is considerably modern and is pleasantly tuneful. The composer’s wife Vani gets the soundtrack’s best, Bere yaro – an ambient, haunting melody. The short Jinke bedareruvaga sounds sweet but fails to make a dent. Hari seems to reserve his experimental best for Yogaraj-associated films, as usual.

Keywords: Yogaraj Bhat, Harikrishna, Kaddipudi, Suri

Atif and Shreya are in great form in Jeene laga, a hummable breezy tune, despite the slightly spruced 90s sound. Shreya joins Atif again in the pleasant, lilting melody in Bariyan, while Atif even briefly sings in a falsetto in Rang jo lagyo, his spritely, Atif’ishly sweeping solo. Mika’s Hip hop pummy is a perfectly functional dance track, but Jadoo ki jhappi, with its messy street band sound, hardly works. Peecha choote sounds utterly ordinary as a tune but for Mohit Chauhan’s spirited singing. Much like Prabhu Deva’s films, Sachin Jigar’s music in Ramaiya Vastavaiya treads the safe and predictable.

Keywords: Sachin Jigar, Ramaiya Vastavaiya

Fuk fuk fukrey is high on energy, with occasional dubstep and likeably coarse vocals by Ram and Amjad. Rabba is a curious, engaging mix of a seemingly folk’ish tune set to a pulsating mod sound, led by Keerthi Sagathia! Karle jugaad seems like Delhi’s anthem – phenomenally catchy hook and cleverly spruced-up qawali! Beda paar, despite the psychedelic sound and breakbeats barely makes a dent, but Lag gayi lottery gets its Punjabi+pop fusion adequately well, besides the enthusiastic hook! Sona Mohapatra’s Ambarsariya is a wonderful listen, with Munna Dhiman’s earthy lyrics and Ram’s lovely, guitar-led melody! Chak De Phatte Fukrey!

Keywords: Fukrey, Ram Sampat

PS: Wonder how Ambarsariya is credited in the CD, considering its earlier versions by others like RDB. Is it a traditional tune?