There’s a reason why Murugesan (Pasupathy) is a drifter and more importantly, a loner, in Manoj Night Shyamalan’s parlance – to save his brother! Vasanthabalan’s intermittently bloody Veyil really doesn’t deserve the plaudits it’s been garnering. It pretends to portray a loser’s life under the pretext of some terribly commercial situations, with mere flashes of [...]