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For all the promise director Mysskin displayed in his debut (Chithiram Pesuthadi), Anjaadhey is terribly disappointing. Using the same realistic, lower middle class setting, he has an Ajmal who simply cannot emote and a Naren who sits down half-way, holding a wall every time he’s even mildly surprised. Prasanna’s menacing turn is commendable for the actor but he comes across merely as a caricature - that extra shot glorifying him when he’s finally dead perhaps panders to his hero-image! But, the worst offenders are the 30 minute chaotic, mess of a climax in the sugarcane field; and Naren’s decision to drop both his guns and get into a hand combat with Prasanna, in the climax – he’s a cop dealing with a rapist for heaven’s sake; and this was meant to be a realistic film! While I did enjoy Mysskin’s film making style – an impoverished version of Gautam Menon, if I could describe it - Anjaadhey is a drab for most parts and definitely lacks the stupendous impact of the film maker’s debut. What went wrong? The bigger budget? Oh that’s terribly unfortunate, ‘cos instead of getting a better film, we have a self-indulgent film, with only occasional strokes of brilliance.
Keywords: Naren, Ajmal, Vijayalakshmi, Pandiarajan, Anjathey, Anjadhey
