Bhavle jharne and Boitha maro‘s Eastern sound is beautifully enhanced by the tasteful inclusion of modern sounds, particularly in the latter. Barish ke boondein and Din guzrein play out like gorgeous ghazals, in Papon’s expressive voice, while Chhoti chhoti‘s lazy tune and guitar strums are endearing. Duur and Jonaaki raati are fabulously trippy, the latter, [...]